Review: Kim Marsh stars in the adaptation of the 1992 classic ‘Single White Female'

Last night’s Single White Female at the Opera House wasn’t quite the icy, straight-faced thriller I’d expected - and honestly, it was fantastic!

Anyone who knows the film will remember the tension filled thriller that so many loved. This stage version keeps the central story, but it isn’t afraid to have a bit of fun with it. There were moments where the audience laughed out loud - not awkward, but genuine laughter that didn’t feel wrong. If anything, it made the darker turns hit harder. The production seems aware of its own intensity and occasionally gives it a nudge, which keeps things from feeling too heavy. Shoutout to the Louboutin heel, if you know, you know!

The set is simple: one apartment, no big scene changes, no flashy effects. Just a single space that in some respect could have felt limiting, but instead it made the whole thing more intimate. The lack of technical distractions means you’re focused entirely on what’s happening between the characters and the played out story. When things start to unravel, there’s nowhere for anyone to escape - which suits the story perfectly.

Kym Marsh and Lisa Faulkner lead the show, and you can see the experience they bring. There’s a real sense of control in their performances. Marsh gives her character a believable vulnerability without overplaying it, while Faulkner carefully brings in the unease. Their chemistry feels natural, which makes the shift in their relationship even more uncomfortable to watch.

That said, Amy Snudden as Bella absolutely stole the show. Every time she was on stage, there was a spark. She managed to be funny, unsettling, and oddly charismatic all at once. A real joy to watch! It’s not an easy balance, but she pulled it off brilliantly. You could feel the audience leaning in whenever she appeared. I would love to see her on the stage more.

Overall, it’s a confident production that isn’t afraid to shift tone. It may not be the relentless psychological thriller some might expect, but the lighter touches are welcome and give it a fresh feel. Strong performances, a clever use of space, and a standout turn from Amy Snudden made it a thoroughly engaging night at the theatre.

Single White Female is on at the Opera house until Saturday 14^th and tickets are still available:

https://www.atgtickets.com/shows/single-white-female/opera-house-manchester/