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Alex's Weekly Film Blog - 5th September

Aliens and artificial intelligence are on the menu this week. To our first offering, and AfrAId has a title as dodgy as the end product, unfortunately. I would like to commend whoeever put the trailer together, though, as it actually made it look enticing.

The plot centres around a couple trying out a super advanced AI device in their home, called AIA. Spy cameras are put up everywhere, privacy is quickly sacrificed, and the film raises important questions about how much we are letting technology take over.

That's where my praise ends, sadly. AIA quickly assumes far more power than anticipated, paying bills, reading to the kids, and running the household. Even when unplugged, it's still there. John Cho and Katherine Waterston give it their best shot, but for a supposed horror, it wasn't scary. Think of it more as a hidden camera psychological thriller, but it's about as frightening as an episode of ou've Been Framed hosted by the late Jeremy Beadle. In fact, the Beadle's About episode where the lady offered an 'alien' in her back garden a cup of tea was more chilling.

Mercifully short at 84 minutes, it feels it will date more quickly than my wardrobe. I wanted to enjoy it, but it felt like it could have been written in 0.07 seconds by an AI device. Clunky screenplay, bad editing, and an interesting idea squandered.

I rewatched Terminator this week, and it's a superor film in every way, even 40 years on. Set in 2029, the ahead-of-their-time 1980s effects still look terrific, and Arnie is the bee's knees.

Fast forward from 2029 to 2142, when Alien : Romulus is set. Even if you're new to the 'Alien universe', this can be enjoyed as a standalone film. It's clear fairly early in proceedings that our young space explorers have company on board an abandoned space station they are exploring, and it's not the sort of company that will offer you a cuppa. Worse than watching a Nadine Dorries bushtucker trial, the terrifying creatures jump from the water and wrap themselves around several of our unfortunate space cadets. Cue loads of running, screaming, and shooting (the gun towards the end seems to have endless ammunition when down to 20%!). It doesn't reinvent the wheel, but the superb sound alone makes it worth seeing on the big screen. Fits between Alien and Aliens, in case you were wondering, and definitely a worthy addition. Perhaps a weekend watching all of them back-to-back sometime might be fun.

This weekend, it's all about Beetlejuice Beetlejuice, and I'm planning to rewatch the 1988 original before I go and see this sequel. After a challenging summer for cinemas, hampered by the effects of the Hollywood writers' strike, and a lack of Barbenheimer to put bums on seats, only animations like Inside Out 2 and Despicable Me 4 really saved the day. This is hopefully the shot in the arm that the industry needs as we head into autumn. The juice is loose!

More from Alex Cann's Weekly Film Blog

  • Alex B Cann Film Column - 18th December 2025

    My film of the week is Eleanor The Great, directed by Scarlett Johansson and starring the razor-sharp 96 year-old June Squibb. After her best friend passes away, Eleanor moves from Florida to New York to live with her daughter (Jessica Hecht), and ends up wandering into a Holocaust Survivors Group at her local Jewish Community Centre. Long story short, she recounts the life experiences of her late friend, even befriending a young aspiring journalist (Erin Kellyman) and striking up a close friendship with her. Unfortunately, her lies quickly begin to unravel.

  • Alex B Cann Film Column - 11th December 2025

    Christmas Karma seemed to arrive early ahead of the festive season, and I only just managed to catch it on the big screen before it vanished, a bit like a Christmas tree bought in November and threadbare by the time turkey is served. I was told by many reviewers that I was going to hate it, but in all honesty, it was quite a wholesome retelling of 'A Christmas Carol', with a Bollywood twist and some original music from Gary Barlow, randomly. Businessman Mr Sood is forced to confront painful memories from his past, in a bid to understand how he's got so miserly and mean-spirited.

  • Alex B Cann Film Column - 4th December 2025 - Sweeney on knockout form

    Now You See Me Now You Don't sees a third big screen outing for the Four Horsemen, along with a new generation of illusionists to mix things up a bit (cue a fair few cross-generational jibes in the script). The plot centres around a giant "heart diamond", and an attempt to capture it from Veronika Vander (Rosamund Pike, who is on fiery form as an ice queen). 

  • Alex Cann's weekly film blog - 9th January

    A mix this week of stuff that I watched over the festive season and a couple from this week, to start another year of movie watching!

  • Alex's Weekly Film Blog - 31st October

    With it being Halloween week, it's worth mentioning that horror has had a rather lucrative year at the cinema, with movies such as The Substance, Terrifier 3 and Smile 2 all delighting audiences and smashing their budgets at the box office.

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