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Alex's Weekly Film Blog - 28th May

Having seen almost fifty films on the big screen so far this year, I feel like I'm doing my bit to keep the lights on at the cinema. This week, it was announced selected Cineworld outlets have scrapped their 'VIP Lounge' offer,

Anecdotally, I still don't feel as though audience numbers have returned to pre-pandemic levels, although I've not got the figures to corroborate this theory. Admittedly, I often go to see films at strange times, but I don't think the cinema is as packed as it used to be.

I'm not a big fan of three course meals being served to your sofa, as happened at a swanky venue in Harrogate we visited last year. An adjacent lady spent most of the movie quaffing red wine, scoffing pizza and I think she might have even had a cheeseburger during the end credits. No judgement from me, but I prefer to concentrate on the film, Although I won't say no to a small salted popcorn topped with M&Ms if you're buying.

One factor that hasn't helped is the speed at which films reach streaming services. The window between cinema release and on demand has been significantly narrowed. The pandemic didn't help either, with folk getting used to watching films on their sofa whilst scrolling through social media. CIneworld closed for a torturous 32 weeks!

There have been exceptions to the narrow streaming window, with Matilda not hitting Netflix as anticipated in time for Christmas 2022, sparking a flurry of indignant tweets. Some Disney films like Soul recently got a belated cinema release, after missing out during lockdown. But generally, the pattern seems to be that films are available to watch at home pretty quickly, compared to the days of Blockbuster Video. Be kind, rewind!

So what can be done? The axing of the VIP service at Cineworld suggests customers don't want to shell out £25 for unlimited food and drink, yet the venue we went to in Harrogate with swanky sofas seemed to be flourishing. I'd bring back the intermission for one thing. Cinemas got ticked off for adding one during Killers Of The Flower Moon without prior permission, as it violated the distributor's strict terms. When you get to a certain age, a comfort break is very welcome, frankly.

Perhaps more classics could be shown? I'd also love big cinema chains to be bolder with their programming, and take a chance on smaller movies, rather than just showing big sequels and endless superhero films In addition, not a lot seems to be coming out at the moment, which might be a delayed effect of the writers' strike.

What would tempt you back? A phone ban? Cheaper prices? I'll have reviews of Garfield and Sting next week.

More from Alex Cann's Weekly Film Blog

  • Alex B Cann Film Column - 18th December 2025

    My film of the week is Eleanor The Great, directed by Scarlett Johansson and starring the razor-sharp 96 year-old June Squibb. After her best friend passes away, Eleanor moves from Florida to New York to live with her daughter (Jessica Hecht), and ends up wandering into a Holocaust Survivors Group at her local Jewish Community Centre. Long story short, she recounts the life experiences of her late friend, even befriending a young aspiring journalist (Erin Kellyman) and striking up a close friendship with her. Unfortunately, her lies quickly begin to unravel.

  • Alex B Cann Film Column - 11th December 2025

    Christmas Karma seemed to arrive early ahead of the festive season, and I only just managed to catch it on the big screen before it vanished, a bit like a Christmas tree bought in November and threadbare by the time turkey is served. I was told by many reviewers that I was going to hate it, but in all honesty, it was quite a wholesome retelling of 'A Christmas Carol', with a Bollywood twist and some original music from Gary Barlow, randomly. Businessman Mr Sood is forced to confront painful memories from his past, in a bid to understand how he's got so miserly and mean-spirited.

  • Alex B Cann Film Column - 4th December 2025 - Sweeney on knockout form

    Now You See Me Now You Don't sees a third big screen outing for the Four Horsemen, along with a new generation of illusionists to mix things up a bit (cue a fair few cross-generational jibes in the script). The plot centres around a giant "heart diamond", and an attempt to capture it from Veronika Vander (Rosamund Pike, who is on fiery form as an ice queen). 

  • Alex Cann's weekly film blog - 9th January

    A mix this week of stuff that I watched over the festive season and a couple from this week, to start another year of movie watching!

  • Alex's Weekly Film Blog - 31st October

    With it being Halloween week, it's worth mentioning that horror has had a rather lucrative year at the cinema, with movies such as The Substance, Terrifier 3 and Smile 2 all delighting audiences and smashing their budgets at the box office.

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