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Alex's Weekly Weekly Film Blog - 21st May

Just one film this week - The Strangers : Chapter 1 - A couple are celebrating their anniversary by taking a road trip, when their car breaks down as they grab some food at a ramshackle roadside diner in the tiny town of Venus.

It just so happens that they are eyeballed suspiciously by a couple of mechanics at the neighbourhood garage as they pull in, who step in and offer to replace their bust alternator. The part won't arrive until the next day though. This isn't Europarts. An overnight stay is therefore required. And not a Premier Inn in sight.

Instead, the couple check into a creepy Air B&B. Undeterred, they light a fire, put a Moody Blues record on...then the amorous mood is shattered by a hammering on the door. A shadowy girl asks if Tamara is there. She is not. They send her away.. A sequence of events unfolds, involving more bangs at the door, followed by Shining-style axe through door action. It turns out the girl is just one of a trio of masked strangers who pursue our loved-up couple with ruthless determination. We're never quite sure why.

It's nothing you've not seen before, but I thought it was a pretty enjoyable watch. A few good jump scares, and I liked particularly rated Madeleine Petsch as Maya.. Chapters 2 and 3 are due for release in the next year or so. Look, It's not going to win any awards, but if horror thriller films are your thing, you could do far worse.

Having seen over 45 films on the big screen so far this year, I still love the experience of watching stuff at the cinema. It seems audiences may not agree, according to a report in last weekend's Observer. The Fall Guy opened to modest numbers, with medium-sized crowds enjoying Ryan Gosling's remake of the largely forgotten 1980s TV series. Not disastrous, but not great.

Barbie and Oppenheimer made a combined $2.4 billion worldwide in 2023, but perhaps presented a false dawn, as recent Marvel releases have been met with a collective shrug by audiences. The Marvels was the worst performing film in their universe so far, whilst Madame Web didn't do particularly well either.

Maybe we've reached peak superhero? Or perhaps people just can't justify spending the little disposable income they have on a risky film that they might not enjoy, or that they know will turn up on streaming services in a matter of weeks. It's worrying for cinemas trying to keep the lights on, but hopefully some of the summer's big releases, including Despicable Me 4, Deadpool & Wolverine and Twisters might tempt people back.

I rarely see a busy screening, but in fairness I often go in the afternoon. It's not uncommon for me to be alone in the screen! Watching something on the sofa whilst scrolling through Twitter is no substitute in my book, but it remains to be seen if audience numbers will recover to Barbenheimer levels this summer. I remain hopeful.

More from Alex Cann's Weekly Film Blog

  • Alex B Cann Film Column - 18th December 2025

    My film of the week is Eleanor The Great, directed by Scarlett Johansson and starring the razor-sharp 96 year-old June Squibb. After her best friend passes away, Eleanor moves from Florida to New York to live with her daughter (Jessica Hecht), and ends up wandering into a Holocaust Survivors Group at her local Jewish Community Centre. Long story short, she recounts the life experiences of her late friend, even befriending a young aspiring journalist (Erin Kellyman) and striking up a close friendship with her. Unfortunately, her lies quickly begin to unravel.

  • Alex B Cann Film Column - 11th December 2025

    Christmas Karma seemed to arrive early ahead of the festive season, and I only just managed to catch it on the big screen before it vanished, a bit like a Christmas tree bought in November and threadbare by the time turkey is served. I was told by many reviewers that I was going to hate it, but in all honesty, it was quite a wholesome retelling of 'A Christmas Carol', with a Bollywood twist and some original music from Gary Barlow, randomly. Businessman Mr Sood is forced to confront painful memories from his past, in a bid to understand how he's got so miserly and mean-spirited.

  • Alex B Cann Film Column - 4th December 2025 - Sweeney on knockout form

    Now You See Me Now You Don't sees a third big screen outing for the Four Horsemen, along with a new generation of illusionists to mix things up a bit (cue a fair few cross-generational jibes in the script). The plot centres around a giant "heart diamond", and an attempt to capture it from Veronika Vander (Rosamund Pike, who is on fiery form as an ice queen). 

  • Alex Cann's weekly film blog - 9th January

    A mix this week of stuff that I watched over the festive season and a couple from this week, to start another year of movie watching!

  • Alex's Weekly Film Blog - 31st October

    With it being Halloween week, it's worth mentioning that horror has had a rather lucrative year at the cinema, with movies such as The Substance, Terrifier 3 and Smile 2 all delighting audiences and smashing their budgets at the box office.

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