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Alex's Weekly Film Blog - 1st August

Confession time...I haven't been to the cinema this week. I did breathe a sigh of relief though when Cineworld revealed a much smaller list of closures than Sky News had reported, although I obviously feel for the six teams who are affected by their announcement.

More could follow this summer. Even Hugh Grant has tweeted about his disappointed that his local picture house has closed after 94 years. Numbers have definitely not recovered since the pandemic, although there have been little rays of sunshine with the likes of Barbenheimer and Top Gun : Maverick's huge success.

Until I've watched Deadpool & Wolverine and Thelma, both of which I'll review next week, here are the five best films out of the sixty I've seen on the big screen this year.

The Beekeeper - if you haven't watched a movie in 4DX, it's a slightly bananas experience which I'd recommend if you're able to justify the upgrade cost. The seat moves about, you're sprayed in the face, and during fight scenes you even receive a complimentary back massage! Whilst this won't win any prizes for the plot, I thought Jason Statham was excellent on his revenge mission against con artists. Anyone who's had one of those fake parcel delivery texts will be cheering him on. Available on Sky Cinema.

The Holdovers - whilst clearly Oppenheimer was always destined to win Best Picture at the Oscars, I thought this would have been a worthy winner. A group of misfit students with nowhere to go for the Christmas holidays are left behind on campus, supervised by a cranky teacher and a grieving cook. A brilliant set of characters, and a rollercoaster of emotion. I loved it. Available on Amazon Prime Video.

Wicked Little Letters has just arrived on Netflix, and is based on a true story of poison pen letters, which was almost lost to history. Olivia Coleman plays Edith Swan, and whilst you will probably guess who's writing the letters quite early on, you'll laugh out loud at some of the lines, and Timothy Spall is superb as Swan's controlling father. A good Friday night comedy to enjoy with a tipple or two.

Late Night With The Devil reminded me of a cross between Ghostwatch and Blair Witch, as found footage shows a Hallowe'en chat show in 1977 when a live exorcism goes horribly wrong. An ailing host is desperate to boost his ratings, and seemingly will go to any lengths to do so, but things quickly go badly on set in front of the TV cameras. Doesn't rely on jump scares, and a genuinely original horror film. To be found on Apple TV and Amazon Prime Video.

And A Quiet Place : Day One made over 250 million dollars at the box office. It should be on streaming soon, but you can watch the previous film (actually called Part II) on Channel 4's streaming service for the next week or so. This one was a prequel, and the cat stole the show. I liked the story and it exceeded my expectations.

More from Alex Cann's Weekly Film Blog

  • Alex B Cann Film Column - 18th December 2025

    My film of the week is Eleanor The Great, directed by Scarlett Johansson and starring the razor-sharp 96 year-old June Squibb. After her best friend passes away, Eleanor moves from Florida to New York to live with her daughter (Jessica Hecht), and ends up wandering into a Holocaust Survivors Group at her local Jewish Community Centre. Long story short, she recounts the life experiences of her late friend, even befriending a young aspiring journalist (Erin Kellyman) and striking up a close friendship with her. Unfortunately, her lies quickly begin to unravel.

  • Alex B Cann Film Column - 11th December 2025

    Christmas Karma seemed to arrive early ahead of the festive season, and I only just managed to catch it on the big screen before it vanished, a bit like a Christmas tree bought in November and threadbare by the time turkey is served. I was told by many reviewers that I was going to hate it, but in all honesty, it was quite a wholesome retelling of 'A Christmas Carol', with a Bollywood twist and some original music from Gary Barlow, randomly. Businessman Mr Sood is forced to confront painful memories from his past, in a bid to understand how he's got so miserly and mean-spirited.

  • Alex B Cann Film Column - 4th December 2025 - Sweeney on knockout form

    Now You See Me Now You Don't sees a third big screen outing for the Four Horsemen, along with a new generation of illusionists to mix things up a bit (cue a fair few cross-generational jibes in the script). The plot centres around a giant "heart diamond", and an attempt to capture it from Veronika Vander (Rosamund Pike, who is on fiery form as an ice queen). 

  • Alex Cann's weekly film blog - 9th January

    A mix this week of stuff that I watched over the festive season and a couple from this week, to start another year of movie watching!

  • Alex's Weekly Film Blog - 31st October

    With it being Halloween week, it's worth mentioning that horror has had a rather lucrative year at the cinema, with movies such as The Substance, Terrifier 3 and Smile 2 all delighting audiences and smashing their budgets at the box office.

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