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Alex's Weekly Film Blog - 7th November

Hugh Grant as a Villain, Clint Eastwood’s Gripping Courtroom Drama, and a Bizarre Family Thriller—This Week's Reviews Offer Suspense, Thought-Provoking Dilemmas, and Unexpected Twists

Having watched a lot of Hugh Grant romantic comedies, I can't help thinking he should have gone over to the dark side sooner. In Heretic, Grant plays Mr Reed, who requests information about the Mormon church and receives a visit at his cavernous home from two missionaries (played by Sophie Thatcher and Chloe East). He assures them his wife is making blueberry pie in the kitchen, so invites them in for a cuppa and a slice. So far, so convivial.

 

This film plays really well on that creeping feeling that something isn't right, and is a low budget slow burner. By the time Reed's visitors realise they are caught in a cat and mouse trap, it might well be too late, they fear. Heretic is twisty, chilling, full of surprises, and boasts a compelling script and excellent performances all round. Grant clearly relishes paying the villain, and I particularly enjoyed the scene where he produces a Monopoly board, using it as a prop to explain the history of organised religion based on his extensive studies. A refreshing change from jump scares and gore (I feel after The Substance and Terrifier 3, I've had enough blood and guts to last me for a few months). Highly recommended.

 

Clint Eastwood's latest film, Juror #2, has only been shown in a handful of cinemas in the States, and I've no idea why, as it's a cracking watch. Described by some reviews as a 12 Angry Men remake, I rated Nicholas Hoult as a murder trial jury member who realises he knows more about the case than he should. Toni Collette excels as the state prosecutor, and you'll certainly be left with plenty to think about when it comes to trial by jury. I like a film that you think about afterwards, and this definitely fits that category. A man's life unravelling as a result of a decision he made a year ago coming back to haunt him...it's a very good watch.

 

Completing my cinema trio this week is The Front Room, which doesn't seem to have made much of a ripple at the box office. Kathryn Hunter plays the mother-in-law from hell, who has to move into the cosy home of a couple who are expecting their first baby and starts to take over their lives. Is the couple's new baby safe with her in the house? Their bed sheets certainly aren't (don't ask). The film drifts along in second gear at best, and is like being trapped in a recurring cheese dream you can't wake up from. It has a certain 'B movie' charm, but the only award ought to go to whoever compiled the trailer, as they managed to put glitter on something unspeakable. Singer Brandy also makes the best of a bad script. Disappointing.

 

Next up, a Christmas film starring The Rock, a bear who likes marmalade sandwiches, and a film that some are saying is the best of the year. More on those next week.

More from Alex Cann's Weekly Film Blog

  • Alex B Cann Film Column - 18th December 2025

    My film of the week is Eleanor The Great, directed by Scarlett Johansson and starring the razor-sharp 96 year-old June Squibb. After her best friend passes away, Eleanor moves from Florida to New York to live with her daughter (Jessica Hecht), and ends up wandering into a Holocaust Survivors Group at her local Jewish Community Centre. Long story short, she recounts the life experiences of her late friend, even befriending a young aspiring journalist (Erin Kellyman) and striking up a close friendship with her. Unfortunately, her lies quickly begin to unravel.

  • Alex B Cann Film Column - 11th December 2025

    Christmas Karma seemed to arrive early ahead of the festive season, and I only just managed to catch it on the big screen before it vanished, a bit like a Christmas tree bought in November and threadbare by the time turkey is served. I was told by many reviewers that I was going to hate it, but in all honesty, it was quite a wholesome retelling of 'A Christmas Carol', with a Bollywood twist and some original music from Gary Barlow, randomly. Businessman Mr Sood is forced to confront painful memories from his past, in a bid to understand how he's got so miserly and mean-spirited.

  • Alex B Cann Film Column - 4th December 2025 - Sweeney on knockout form

    Now You See Me Now You Don't sees a third big screen outing for the Four Horsemen, along with a new generation of illusionists to mix things up a bit (cue a fair few cross-generational jibes in the script). The plot centres around a giant "heart diamond", and an attempt to capture it from Veronika Vander (Rosamund Pike, who is on fiery form as an ice queen). 

  • Alex Cann's weekly film blog - 9th January

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  • Alex's Weekly Film Blog - 31st October

    With it being Halloween week, it's worth mentioning that horror has had a rather lucrative year at the cinema, with movies such as The Substance, Terrifier 3 and Smile 2 all delighting audiences and smashing their budgets at the box office.

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