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Alex Cann's weekly film blog - Thursday 26th June 2025

This year marks the fiftieth anniversary of Jaws, which led to cinemagoers hid­ ing behind their popcorn and one of the best pieces of movie music of all time.

Dangerous Animals challenges the idea that the main danger lurks in the water, as a pair of hapless gap-year students arrive for "Tucker's Experience", not paying enough attention to the massive red flag before they set sail ("so no one even knows you're here then"?). It seems the local police on the Gold Coast have also missed the fact that they have a murderous miscreant in their midst, as it quickly emerges he has longstanding form for his venus flytrap tours.

What follows is a slightly schlocky, but effective thriller. I liked the singing of Baby Shark before the students were lowered into their shark cage, and very much enjoyed Hassie Harrison's perfor­mance as free-spirited Zephyr. Luckily for her, a chance encounter with a dishy local Moses (Josh Heuston), means she had someone on dry land looking for her after being snatched by the crazy captain. Jai Courtney as Tucker plays the psychotic, unhinged main role pretty well, and it made a refreshing change that the sharks were not the bad guys. As Tucker himself ominously says, "it's not the shark's fault". It seems his previous encounter with one resulted in extensive bite marks, and left him "always awake" (read into that 'slightly unhinged to say the least'). A ticket for his shark tour is even more unwelcome than a Mrs Brown's Boys DVD box set.

The film itself is unflinchingly unpleasant to watch at times, especial­ly one bone-crunching scene where Zephyr attempts to free herself from cuffs, but I thought it was neatly done. It perhaps could have ramped up the silliness a little, but Nicolas Cage had that covered in his recent surfing mov­ ie, to be fair. If you liked Wolf Creek, you'd enjoy this one, although not all critics have been convinced. A strong 3 stars out of 5 from me.

Also this week, Elio is the latest charming Disney Pixar adventure, and has had a terrible start at the box office, with the worst opening weekend for any modem film in Pixar's history, ac­ cording to Variety. I'm baffled by this, as I found it charming, with a lovely message and gorgeous animation. In a reverse ET scenario, Elio is beamed up to the Communiverse, and mistakenly identified as the leader of earth, despite being only eleven years old.

His journey across the galaxy sees him make a new friend in Glordon, and realise the value of his life back on earth after he sends back a compliant clone to take his place. It's colourful, heartwarming, and uplifting, and I really enjoyed it. I hope it finds its au­dience, as those who moan that Disney keep churning out remakes should be supporting original work like this. I'm hoping to see it again with my nephew, as the lead character reminded me a bit of him!

Next week, 28 Years Later.

More from Alex Cann's Weekly Film Blog

  • Alex B Cann Film Column - 18th December 2025

    My film of the week is Eleanor The Great, directed by Scarlett Johansson and starring the razor-sharp 96 year-old June Squibb. After her best friend passes away, Eleanor moves from Florida to New York to live with her daughter (Jessica Hecht), and ends up wandering into a Holocaust Survivors Group at her local Jewish Community Centre. Long story short, she recounts the life experiences of her late friend, even befriending a young aspiring journalist (Erin Kellyman) and striking up a close friendship with her. Unfortunately, her lies quickly begin to unravel.

  • Alex B Cann Film Column - 11th December 2025

    Christmas Karma seemed to arrive early ahead of the festive season, and I only just managed to catch it on the big screen before it vanished, a bit like a Christmas tree bought in November and threadbare by the time turkey is served. I was told by many reviewers that I was going to hate it, but in all honesty, it was quite a wholesome retelling of 'A Christmas Carol', with a Bollywood twist and some original music from Gary Barlow, randomly. Businessman Mr Sood is forced to confront painful memories from his past, in a bid to understand how he's got so miserly and mean-spirited.

  • Alex B Cann Film Column - 4th December 2025 - Sweeney on knockout form

    Now You See Me Now You Don't sees a third big screen outing for the Four Horsemen, along with a new generation of illusionists to mix things up a bit (cue a fair few cross-generational jibes in the script). The plot centres around a giant "heart diamond", and an attempt to capture it from Veronika Vander (Rosamund Pike, who is on fiery form as an ice queen). 

  • Alex Cann's weekly film blog - 9th January

    A mix this week of stuff that I watched over the festive season and a couple from this week, to start another year of movie watching!

  • Alex's Weekly Film Blog - 31st October

    With it being Halloween week, it's worth mentioning that horror has had a rather lucrative year at the cinema, with movies such as The Substance, Terrifier 3 and Smile 2 all delighting audiences and smashing their budgets at the box office.

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