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Alex Cann's Weekly Film Blog - 2nd July

If you watch one film this week, I'd recommend I Am : Celine Dion, which was released on Amazon Prime Video in late June. It's a searingly honest look at the superstar's battle with Stiff Person Syndrome, which is so rare it only affects one in a million people.

It's heartbreaking to watch Dion trying over and over again to lay down a new track in the studio, as her voice cracks and her body refuses to comply with her passion to sing. We watch her mental torment first hand, and I'll not hear the recent song Love Again in the same way again. As Celine herself says, singing is all she's ever known, and I can't imagine what it must be like to have that taken away, and effectively be a hostage to your own body's breakdown. No amount of wealth or material possessions (including a staggering amount of shoes!) can provide any consolation.

We see flashbacks of huge world tours gone by, but much of the focus is on now, following Dion's official diagnosis in 2022 (she first experienced symptoms back in 2008). She comes aross as open, honest, kind, and respectful towards her fans. I hope she knows she's let no-one down. Even if you're not a fan, this is a superb, candid film.

Bikeriders is best described as solid, steady and quite violent, and whilst memories of it will ride off into the sunset after you leave the cinema, it's certainly enjoyable. The cast make it special, in particular Jodie Comer as Kathy, who is drawn to biker Benny (Austin Butler), who is a member of a Midwestern motorbike club run by Johnny (Tom Hardy). All three actors are at the top of their game. Comer's accent is flawless, unlke Stephen Graham's faltering Scouse-American hybrid in the second Venom movie which was on Channel 4 recently.

The Vandals quickly evolve from a small town friendly club into something far more sinister and violent, and as things spiral out of control of its original founders, Benny has to make a choice between Kathy and the club. The ending is not a big surprise really, there are no huge twists, and there isn't that much action really. Having said all that, the cast definitely make up for some shallow characters and thin plotlines, evoking some of the smouldering on-screen swagger of James Dean and Marlon Brando.
 
Also this week, I rewatched the Bafta award-winning film Pride on its tenth anniversary, which has been back on the big screen at selected cinemas. It's a joyous, uplifting film about standing up against oppression, and an unlikely alliance between a group of gay friends and striking miners in 1984. Lots of humour, and it's aged pretty well I think. Political without being preachy, and a call for oppressed groups to use their voice and stand together. Matt Lucas was recently asked on Twitter "when are we holding straight Pride parades?", to which he replied "when people get killed for being straight".

More from Alex Cann's Weekly Film Blog

  • Alex B Cann film column - 05/02/26

    Sharp writing, a couple of genuinely outstanding jump scares, tons of gore, and loads of laughs...Send Help is my film of the year so far. Rachel McAdams and Dylan O'Brien end up stuck together on a remote island somewhere off the Thailand coast, after a plane crash claims the lives of all their colleagues. So far, so dramatic.

  • Alex B Cann Film Column - 29th January 2026

    Imagine a world in which AI judges decide your fate. I suppose it would be one way of reducing the huge backlog in the court system, and Mercy sees Chris Pratt playing a detective who ends up being tried by the very system he was instrumental in setting up, following the brutal murder of his wife. He has 90 minutes to prove his innocence, and avoid a death sentence, by way of the AI judge's unlimited access to computer databases, phone records and social media account

  • Alex Cann's weekly film blog - 9th January

    A mix this week of stuff that I watched over the festive season and a couple from this week, to start another year of movie watching!

  • Alex's Weekly Film Blog - 31st October

    With it being Halloween week, it's worth mentioning that horror has had a rather lucrative year at the cinema, with movies such as The Substance, Terrifier 3 and Smile 2 all delighting audiences and smashing their budgets at the box office.

  • Alex's Weekly Film Blog - 17th October

    There's often a debate about whether Die Hard is a Christmas movie. In my book, it absolutely is. It contains four Christmas songs in the soundtrack, the action takes place at a Christmas Eve office party, and both the director and scriptwriter say it is a festive movie.

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