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Alex's Weekly Film Blog - 7th November

Hugh Grant as a Villain, Clint Eastwood’s Gripping Courtroom Drama, and a Bizarre Family Thriller—This Week's Reviews Offer Suspense, Thought-Provoking Dilemmas, and Unexpected Twists

Having watched a lot of Hugh Grant romantic comedies, I can't help thinking he should have gone over to the dark side sooner. In Heretic, Grant plays Mr Reed, who requests information about the Mormon church and receives a visit at his cavernous home from two missionaries (played by Sophie Thatcher and Chloe East). He assures them his wife is making blueberry pie in the kitchen, so invites them in for a cuppa and a slice. So far, so convivial.

 

This film plays really well on that creeping feeling that something isn't right, and is a low budget slow burner. By the time Reed's visitors realise they are caught in a cat and mouse trap, it might well be too late, they fear. Heretic is twisty, chilling, full of surprises, and boasts a compelling script and excellent performances all round. Grant clearly relishes paying the villain, and I particularly enjoyed the scene where he produces a Monopoly board, using it as a prop to explain the history of organised religion based on his extensive studies. A refreshing change from jump scares and gore (I feel after The Substance and Terrifier 3, I've had enough blood and guts to last me for a few months). Highly recommended.

 

Clint Eastwood's latest film, Juror #2, has only been shown in a handful of cinemas in the States, and I've no idea why, as it's a cracking watch. Described by some reviews as a 12 Angry Men remake, I rated Nicholas Hoult as a murder trial jury member who realises he knows more about the case than he should. Toni Collette excels as the state prosecutor, and you'll certainly be left with plenty to think about when it comes to trial by jury. I like a film that you think about afterwards, and this definitely fits that category. A man's life unravelling as a result of a decision he made a year ago coming back to haunt him...it's a very good watch.

 

Completing my cinema trio this week is The Front Room, which doesn't seem to have made much of a ripple at the box office. Kathryn Hunter plays the mother-in-law from hell, who has to move into the cosy home of a couple who are expecting their first baby and starts to take over their lives. Is the couple's new baby safe with her in the house? Their bed sheets certainly aren't (don't ask). The film drifts along in second gear at best, and is like being trapped in a recurring cheese dream you can't wake up from. It has a certain 'B movie' charm, but the only award ought to go to whoever compiled the trailer, as they managed to put glitter on something unspeakable. Singer Brandy also makes the best of a bad script. Disappointing.

 

Next up, a Christmas film starring The Rock, a bear who likes marmalade sandwiches, and a film that some are saying is the best of the year. More on those next week.

More from Alex Cann's Weekly Film Blog

  • Alex B Cann weekly film blog - 28th November

    Alex reviews the week's big new release, Wicked, which is taking cinemas by storm & had a better opening weekend at the Box Office than Paddington in Peru or Gladiator 2.

  • Alex's Weekly Film Blog - 31st October

    With it being Halloween week, it's worth mentioning that horror has had a rather lucrative year at the cinema, with movies such as The Substance, Terrifier 3 and Smile 2 all delighting audiences and smashing their budgets at the box office.

  • Alex's Weekly Film Blog - 17th October

    There's often a debate about whether Die Hard is a Christmas movie. In my book, it absolutely is. It contains four Christmas songs in the soundtrack, the action takes place at a Christmas Eve office party, and both the director and scriptwriter say it is a festive movie.

  • Alex's Weekly Film Blog - 10th October

    I find myself at odds with most reviews I've read of Joker: Folie a Deux, as I thoroughly enjoyed it. As the latest edition of The Rest Is Entertainment points out, musicals are very difficult to market. Wonka and Mean Girls are recent examples of musicals where it was pretty well concealed in the trailers, until you went to see them and realised everyone was, er, singing.

  • Alex's Weekly Film Blog - 3rd October

    It's almost impossible to review The Substance without spoilers, but I'll try. It's grisly, bone-crunching, shockingly gory stuff, but what a performance from Demi Moore. This is possibly the most bananas movie I've ever seen, and Moore's finest hour in my book.

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